Whether you’re new to film or returning after years of shooting digitally, this class demystifies the hybrid workflow and provides practical, repeatable methods for achieving high-quality results. Students will learn how to properly handle and evaluate negatives, prepare them for scanning, and choose the best approach for their needs—whether using flatbed scanners, dedicated film scanners, or DSLR/mirrorless camera scanning setups.

We’ll explore key techniques for capturing clean, detailed scans, including proper exposure, color balance, and file formats. From there, the course transitions into post-production, where students will learn how to process and refine their images using software such as Adobe Lightroom. Topics include inversion of negatives, color correction, contrast control, dust and scratch removal, and maintaining the natural aesthetic of film while enhancing clarity and consistency.

Throughout the three weeks, emphasis will be placed on building an efficient workflow—from import and organization to final export—so you can confidently manage both small projects and larger archives.

Week 1: Understanding negatives and scanning methods—flatbed, dedicated scanners, and camera scanning setups.
Week 2: Capturing high-quality scans—exposure, color balance, file handling, and workflow best practices.
Week 3: Post-production and refinement—editing, color correction, dust removal, and exporting polished images.

What to Bring:
A selection of developed film negatives, a laptop, and access to scanning equipment (if available). Students with DSLR or mirrorless cameras are encouraged to bring them for camera scanning demonstrations.

Who This Class Is For:
Photographers of all levels interested in incorporating film into a digital workflow or improving the quality and consistency of their scanned images.

Leave with a complete, streamlined hybrid workflow and the confidence to transform your film negatives into beautifully finished digital photographs ready for sharing, printing, or archiving.